Originally posted June 27, 2018.
Picking up where last week ended, we are now in October. There are several pieces of the story happening at once.
To recap, Joss, Cam, and Oscar started the ball rolling by investigating the possibility that Andrew Cain and Jason Morgan are related. They’ve brought in Spinelli to assist them. Once Spinelli confirms they went missing at the same time and that they are identical twins (a simple DNA test would prove that Jake and Oscar are brothers — they’re actually cousins, but Jason and Drew share identical DNA), they go up the food chain.
Carly and Sonny are eager to jump on this, while PC!Jason (who from now on will be referred to as Drew) is more mixed up about it. He believes that Andrew Cain exists, he just can’t understand how any of this is happening. Sam is in denial. Drew is not Jason. She’s married to Jason, end of story. Oscar’s mom, Kim, Drew’s wife, has gone to Jordan to start an investigation. Jordan and Carly both independently have turned to Anna at the WSB for more information.
Franco is involved because he’s been having strange memories all summer–memories of a little boy, memories of a lab, memories of pain, etc. He and Elizabeth have been drifting apart after the death of Audrey in June. He’s angry when Elizabeth talks to him about Andrew and Jason. He hates when Jason comes into their life. He’s already given into the urge once and killed someone. He learns from Betsy that up until about 2011, he always knew who Drew was. That his obsession with Jason began because Franco knew Drew was Jason’s twin brother.
Continue reading “If I Wrote GH: The Search for Faison”
Originally posted June 21, 2018
It’s no secret that Steve Burton’s hyped return to the show last fall has fizzled out. After a relatively promising start (there was about two weeks where it was can’t miss television for me) sometime in December/January, the story started to take a turn. It became a story about Franco’s past, about Anna’s past, about Nathan’s past.
What it hasn’t been is a story about Jason or Drew. I have lots of ways I would have written this story, some of which are in progress, but if I wanted to hit some of the same beats the show did — i.e. turn this into a major umbrella story that revisited the back stories of popular characters, here’s how I would have done it.
It turns out that Jason isn’t really Jason — he’s Jason’s twin brother whom Heather gave to Betsy Frank to raise along with Heather’s son Franco. Jason has been kept in some sort of captivity for the last five years in a Russian clinic. He is freed by Ava, returns home to dig out the truth, learns about Danny and Jake. Meanwhile, the Jason in Port Charles finds out he’s a missing Navy S.E.A.L. named Andrew Cain. Their story should involve Andre, Anna, Faison, and Nathan along with the rest of Jason’s family. Franco should also play a role in this story.
Continue reading “If I Wrote GH: Jason Really Has A Twin”
Originally Posted January 23, 2018
This is something I’ve been thinking about a lot over the last few months, and particularly the last few weeks as criticism of General Hospital’s casting methods has been highlighted.
In case you live under a rock on #soaptwitter, beloved icon of daytime, Genie Francis was unceremoniously dumped off contract and basically forced out, igniting the rage of pretty much everyone. Love or hate her, Laura was in the middle of an intense front burner storyline and running for mayor with her history as her platform. To lose her in the middle of this story without warning was simply stunning. At the same time, new characters have been introduced with either questionable acting skills or little purpose in the story (Peter August and who ever the hell Greg Evigan is playing, I haven’t paid enough attention to care about his name).
Look, writing for soaps is hard, y’all, and I’m the first person to admit it. It’s easy to throw stones from our couches, but under the best of circumstances, juggling a huge canvas is ridiculous hard and it’s clear that many of these new characters are top-down decisions. I don’t see the writers going to management and saying hey we’re writing this story, we need someone — it’s clearly “Here’s someone. Fit him in.”
Continue reading “Introduction of New Characters”